Friday, 11 October 2013

9. Genaral topics

Visual Culture

"Visual Culture" studies recognizes the predominance of visual forms of media, communication, and information in the postmodern world.Has there been a social and cultural shift to the visual, over against the verbal and textual, in the past 50 years, and has it been accelerating in the past 10 or 20 years?Or are our written, textual, and visual systems continuing an ongoing reconfiguration in a new (recognizable) phase?Study of visual culture merges popular and "low" cultural forms, media and communications, and the study of "high" cultural forms or fine art, design, and architecture."Visual Studies" intersects with the notion of "mediasphere" in mediology, the study of media systems and media as a system.Getting clear on terms: "visual" | "culture" | "system"The "visual culture" approach acknowledges the reality of living in a world of cross-mediation--our experience of culturally meaningful visual content appears in multiple forms, and visual content and codes migrate from one form to another:
  • print images and graphic design
  • TV and cable TV
  • film and video in all interfaces and playback/display technologies
  • computer interfaces and software design
  • Internet/Web as a visual platform
  • digital multimedia
  • advertising in all media (a true cross-media institution)
  • fine art and photography
  • fashion
  • architecture, design, and urban design
We learn the codes for each form and code switch among the media and the "high" and "low" culture forms.The experience of everyday life can be described as code-switching or hacking the visual codes around us to navigate and negotiate meaning (see William Gibson, Pattern Recognition).

Global Village

Global culture is the whole world considered as being closely connected by modern telecommunications and as being interdependent economically, socially, and politically.

Nowadays, the notion of remote offices and remote workers has become a staple aspect of many corporations internal configurations. Whether the choice to accommodate remote access is one of cost or simple logistics, the fact remains that it is now a common theme across all types of organizations. Invariably, anyone working within the technology spaces, especially those in the software sector, will often be part of groups that span both domestic and global geographies.

http://programsuccess.wordpress.com/2011/04/06/project-management-in-the-global-village/

8.Pulse


Pulse is a 2006 American Horror film and remake of the Japanese horror film, "Kairo"Pulse was written by Wes craven and Ray Wright, and directed by Jim Senzer. The film stars Kristen Bell, Ian Somerhalder.





7. Modernism vs Postmodernism




6. Benetton




In 1965, Luciano Benetton Benetton, Italy.
Originally produced colorful sweaters, business expanded into a full range of clothing apparel
Developed into a two billion dollar fashion empire
Benetton's advertising campaign has been instrumental in its success in the fashion world.
The advertising campaign is important for understanding how the philosophy of the company has attempted to reinscribe its image within a broader set of political and cultural concerns.

Benetton discontinued its images of upbeat consumerism that denied the raw truth of the issues of the day.
an object lesson in how promotional culture increasingly uses pedagogical practices
to shift its emphasis from selling a product to selling an image of corporate responsibility.

Upbeat consumerism against …

Controversial and responsible….



In 1965, Luciano Benetton Benetton, Italy. 
Originally produced colorful sweaters, business expanded into a full range of clothing apparel 
Developed into a two billion dollar fashion empire 
Benetton's advertising campaign has been instrumental in its success in the fashion world. 
The advertising campaign is important for understanding how the philosophy of the company has attempted to reinscribe its image within a broader set of political and cultural concerns. 


Benetton discontinued its images of upbeat consumerism that denied the raw truth of the issues of the day. 
an object lesson in how promotional culture increasingly uses pedagogical practices 
to shift its emphasis from selling a product to selling an image of corporate responsibility. 


Upbeat consumerism against …


Controversial and responsible….

The same holds true for their current advertising campaign . This campaign uses 26 convicted killers (who together are responsible for 46 murders and awaiting execution. The campaign began in January 2000, and is titled “We, On Death Row.” It reveals the real faces of the prisoners in the advertisements. “Whether they are young or old, white or black, arrogant or anguished, fat or thin, remorseful or unrepentant, smiling or sad, healthy or ill, they are all guilty in the eyes of human law.” 

The man behind the advertisements is Oliviero Toscani. Toscani worked for two years to do portraits of the death row inmates, in which he visited death rows in several American prisons. The advertisements are for print and billboards (execution), and constitute the dramatic visual images for Benetton’s new advertising campaign and their Spring-Summer 2000 worldwide communication campaign. The ads will appear on billboards in Europe, America, and Asia. The ads appeared in magazines such as Talk, Vanity Fair, and Tina Brown’s Magazine. The images are also available over the Internet on Benetton’s website (Benneton.com). 

Benetton has targeted the age groups of 18 to 45 with these advertisements or anyone that may have an opinion about the death penalty. Benetton’s strategy for this campaign was to increase brand awareness and increase interest about this social issue. Benetton wants the focus of the campaign to be on the death penalty itself and not on the specific inmates. Benetton hopes that you will leave aside any social, political, judicial or moral considerations. They believe the focus of the ads is to show the public the reality of capital punishment, so that no one around the world will consider the death penalty neither as a distant problem nor as just news. Toscani hopes that these images will give back a human face to the prisoners on death row, and remind everyone that thinks that they are so sure they are right, that the debate concerns men and women in flesh and blood. 
While Benetton is use to controversy and discussion of its ads in the press and among the public, their new campaign is receiving even more controversy. They are being attacked by the families of the victims, victims’ advocacy groups, Sears, and the state of Missouri . These groups are not only upset about the actual advertisements, but also a 100-page supplement that was released . In the 100-page supplement  (that Benetton released and packaged in February with international Talk  magazine) there is no mention of any of the crimes that the death row inmates committed. One journalist calls the interviews fan-magazine puff pieces. The interviews consist of a variety of other questions such as, “Did you ever want to travel,” and “Who are your favorite boxers?” Benetton also released that they paid seven inmates $1,000 dollars each for appearing in the ads. Benetton said that European law forced the company to compensate anyone pictured in an advertisement. 
The families of the victims and many victim advocacy groups are outraged and accusing Benetton of “taking convicted killers and romanticizing them while ignoring the suffering of the victims and their survivors”, and “using the killers to sell sweaters at their expense.” The groups and the families of the victims have a great deal to say about the travesty Benetton has committed in their eyes . They are also calling for a boycott on all Benetton products.
Sears, Roebuck & Company ended a contract with Benetton in February. It was due to threats for a boycott, threats of a grant withdraw for 13 million, and the outrage of Sears chairman Arthur C. Martinez. Martinez has decided to ban the new Benetton USA clothing line. The contract signed in 1998 was for multiple-years, and carried Benetton products in their 400 stores. The reason the contract was signed was because Benetton was not doing well in America. Sears also said that the advertising campaign was inconsistent with what Sears has come to represent and is inconsistent with the customer base they serve. The loss of Sears contract to Benetton is estimated at around 100 million dollars . Since then Benetton has offered Sears the power to review and approve any future adds, but Sears still declined the renewal of the contract.  
Missouri filed a lawsuit against Benetton February 9th. They are suing Benetton for one count of fraudulent misrepresentation, one count of trespass by deceit and one count of trespass by exceeding the scope of consent. Benetton did all this by cutting through the red tape in order to photograph and interview the inmates (four of which are in Missouri). Benetton lied to officials and said they were from Newsweek, and that they were sponsored by the National Association of Criminal Defense Lawyers. Benetton kept the details about the campaign project hidden.
There are also a number of Benetton hate sites that give you the real low down on what these death-row inmates did. One such site goes through ten pages describing the horrific crimes the inmates have committed. They do not pull any punches when it comes to giving you the facts and not fluff (unlike Benetton).  Due to all the negative backlash of their death row campaign it is obvious that it was not effective in achieving their goals. (Michael Grissett & Guillaume Sarthou, 2000)

Thursday, 10 October 2013

5. Conceptual design



One of the major challenges facing the design industry lies in clarifying and communicating the value and potentials of design.

Design research and the growing emphasis on academic approaches in the educational programmers can help designers rise to this challenge. Research offers a set of shared concepts and can help communicate these concepts to design users, executives and others.


Another important challenge for the design industry lies in growing internationalisation. It is necessary for the agencies to be able to handle international clients and for the design and architecture schools to be able to attract international students, teachers and researchers.(Anna Krarup Jensen,2009)



4. Bruce Mau

The first things first manifesto  rallied against the consumerist culture that was purely concerned with buying and selling things and tried to highlight a Humanist dimension to graphic design theory. It was later updated and republished with a new group of signatories as the First Things First 2000 manifesto.

The manifesto encourages that designers become socially as well as economically responsible for the things they design.The follwing case study is sourced from http://www.csus.edu/indiv/f/forrestj/gphd20_materials/13_action.pdf)


In 1979 Kalman, helped start the design firm M&Co, which did corporate work for such diverse
clients as the Limited Corporation, the New Wave music group Talking Heads, Kalman also worked
as creative director of Interview magazine in the early 1990s. Kalman became founding editor-in-chief of the Benetton-sponsored Colors magazine in 1990.
what if the queen was black?

In 1993, Kalman closed M&Co and moved to Rome, to work exclusively on the magazine. Billed as 'a
magazine about the rest of the world', Colors focused on multiculturalism and global awareness.
Kalman was one of the 33 signers of the First Things First 2000 manifesto.(http://www.csus.edu/indiv/f/forrestj/gphd20_materials/13_action.pdf)

3. Contemporary Brand


"A great improvement our believe (old logo on the left, new on the right). This young, bright, fresh and juicy visual branding tells us what is happening on the inside - lots of bubbly, zingy and refreshing fruitiness. The contemporary retro styling of the graphics plays on our knowledge of moving digital imagery - we don't really need to see the movement across the window shown below - we know how it moves, we can imagine it ourselves."(http://savvyandvictor.blogspot.com/2008_08_01_archive.html)

I colud'nt agree more with Savy and Victor on this one, The fanta brand has made efforts to communicate with today's youth by making it fun and exciting! The only problem however is that in a few more years The youth would be completely different and their branding might no longer be appealing to the youth of that genaration.